remixed with love volume 3 is the latest edition of what has become the industry-leading disco remix series. no one knows this era of music better than dave lee, who once again turns his impeccable hand to some of the best-loved records ever committed to wax.

the sophomore album from marlon craft, featuring production from 6ix, plain pat, !llmind, dan edinberg, xm?ne, arbus beats, sly5thave, featuring guest performances from katori walker, malz monday, oswin benjamin, chris rivers, bobby feeno, and radamiz

italian musician, producer and dj, lorenzo morresi, returns to his newly formed supereclectic imprint with a brand new album music for closed airports that swiftly follows up on his recent successful outings on 22a and fly by night music. across the 10 tracks on the album lorenzo combines live compositions with electronic production, taking you on an expansive journey through jazz-funk, house, electronica and italian library music.

2023 repress - 1 per customer - simply an iconic track from swiss brothers mandrax and seb k aka shakedown, ‘at night’ is one of the most recognisable house tracks of the last two decades. with one of the most-hyped remixes of the year, artist of the moment peggy gou delivers with a squelching 7 minute groover, bringing in that iconic synth motif to lift the production and keep it rolling. stepping up to tackle this masterpiece with a nu-disco dance track, tiger & woods use cowbell to accent a b-boy beat, with drum machine breaks bringing it back to the dancefloor. with a sophisticated house remix with a nu-disco edge is purple disco machine, fusing a funk-infused bassline with terra deva’s unforgettable vocals. finally is a brand new version from the shakedown duo themselves, the galactic boogie mix. with saturated synths and interplanetary breakdowns, shakedown bring a carefree 80s quality to this iconic track’s irresistible after-dark charm

repress 2022 - following the 7inch revisiting candi statons much-loved gospel anthem, this glitterbox recordings 12inch features four diverse remixes of hallelujah anyway, three of which are new to vinyl. kicking off with larses vocal mix, touching deeper territory with a mid-tempo house rendition, dr packers indulgent piano-littered mix is next, picking up the energy and re-introducing the disco beat. italian producer moplen delivers a 90s-influenced classic club vibe mix, maximising candis uplifting vocal. finally is fks directors cut signature praise 12inch edit, a frankie knuckles and eric kupper production which is available here on vinyl for the very first time. picking up the pace with soaring synths and a grooving beat, the mix takes the anthem firmly back to the dancefloor, compelled by the original songs call for jubilation. four must-hear mixes from glitterbox, breathing fresh energy into this timeless record. 1 per customer

hip-hop lost one of its most talented wordsmiths when fred the godson passed away due to complications with covid-19 last year. however, his family has continued his legacy by launching the nonprofit fred the godson foundation, as well as releasing some of his most sought-after music on vinyl and cd. ascension is the first posthumous release with all new material from the south bronx emcee. the tracks were handpicked by fred s brother russ and they are a prime example of the creative high he was on just before his passing. the collection of songs includes production from the heatmakerz and guest spots from g mims, guap sinatra, m city, reef hustle, bandz dinero and more. this album is a celebration of fred s life and so, fittingly, the lp dropped digitally on his birthday, february 22. on the same day, new york city officials unveiled a new street name in the south bronx honoring the respected lyricist: fredrick -fred the godson- thomas way. a lot of artists make street music, but only a handful have ever received a tribute with street signs.

a bit of a surprise new larry heard production on alleviated records! introducing the dovie cote ep, a collaboration between larry heard and davie cote that has been years in the making. a smooth 4 track ep very much inspired by the greats of the 80s rnb with larrys signature production style.

12inch remote control ep delivers the same production quality as caucasian boys classic singles, spangle and northern lights

rival consoles’ music soundscape for alexander whitley’s dance production “overflow”. the double vinyl release includes a download code.

fresh from her collaboration with collette warren, riya returns to spearhead records with the blame ep. will hine (aka hospital records artist whiney) steps up on production duty on all four tracks (plus a little help from emba on descend).

colored 2021 repress / groovin recordings is proud to repress one of the best production from the super-talented singer, producer and composer from chicago, peven everett. originally out in 2007, put your back into it it s definitely one of the song that better shows peven s skills. and if it s not enough, you have a quentin harris remix on the b-side

needs - not for profit moves into the future of vinyl production partnering with green vinyl records in holland to produce the worlds first 100% recyclable record.

similar to his last foray on motorcity wine recordings beltran has assembled an all-star cast of characters including john arnold, jeremy ellis, james simonson, and kiko navarro to deliver a slice of bright jazzy deep house heaven. kiko navarro’s “motor city jazz remix” starts the release with driving live drums and percussion for discerning dance floors. on the flip john’s original mix keeps the energy moving, before going to the brilliant sol set collective rework which blends live energy with driving production for those special dance floor moments. pressed loud to high quality 12&#8243,, vinyl in detroit.

2021 yellow repress - louie vega remixes the seminal sam records disco hit bourgie, bourgie by john davis & the monster orchestra. 12inch vinyl. house music legend louie vega continues to light fire to select tracks from the sam records 1970s disco catalogue. he previously remixed vicky ds this beat is mine and convertions lets do it. now he has added his unique and legendary production skills to a remix of the ashford & simpon penned bourgie, bourgie by john davis & the monster orchestra. originally released on sam records in 1979, bourgie, bourgie also features background vocals by ashford & simpson. louie vega continues to be one of the most dynamic and respected dance music producers in the world. with a body of work that combines his timeless and trend settings production with kenny dope as masters at work, and his own distinctive and equally impactful louie vega productions, he has always had a great knowledge and respect for the r&b and disco music that laid the foundation of the current soundtrack of nightlife. the sam records catalogue is owned and administered by nervous records, with which louie has a long history, dating to his creation with kenny dope of the labels signature tune, the nervous track by nuyorican soul. the distinctive string sections of bourgie, bourgie along with the ashford & simpson lyrics caught louies ear, and he has created a remix that has been destroying dancefloors and festival summer

new ndatl incoming from miranda nicole includes the original kai alce and byron the aquarius production plus remixes from dj beloved and jihad muhammad

2021 repress on blue vinyl ... some twenty years after rene costys passing, his work, finally, goes global. moreover, this being a selection out of more than 400 tracks from a virtuoso, versatile andinsatiable artist, its hard to underestimate the importance of this compilation, which focuses on costys library music production from the 70s

transitional being reveals another side of xvarrs production palette characteristically trance inducing, this release highlights the transformational potential of dance music.

limited white vinyl repress due to high demand on requests. on its second release, the fresh label eating records, native of brussels, embarks us on its most unlikely underground journey yet .the new project includes two beautiful tracks from the deep flows of house music, from the unfamous talented producer from kiev, io (mulen). there s no point in trying to place io or his music in some larger social picture. no need to talk about his intensive production. his successful releases can be found on imprints such as rejected (joris voorn), propaganda (nastia), elarum and his own mulen records which he started in 2012 and that released his stunning debut album within 2013. on flutes/creeps ep, he thrives on fantastic impossibilities including flutes and deep melodic basses. it is obvious that mister io had a wonderful time making the two tracks. flutes comes up as victorious and gallant. it is an energizing shock full of curious noises, mesmerizing musical surprises, a real dancefloor track. creeps is discreet and dark, and remains beautifully deep. this track finds io wrenching as much sweetness out of it as he possibly can, in return giving us our first indication that he is in a generous spirit. when this ep comes to an end, it feels like getting back from a good vacation: the last thing you want to do is re-enter the real world.

debut release from turntablist kristian gjerstad, made for melodic scratching and as production tool. black 12 inch vinyl edition.

debut release from turntablist kristian gjerstad, made for melodic scratching and as production tool. black 7 inch vinyl edition.

svn is back with his second solo album, this time on his own imprint sued. coming strong with a new approach. as he states himself: a change of equipment and the loss of my old tape machine marks a new era in my sound and production.

2021 new recut!! max 2 per customer , ricardo villalobos with his first 3x12inch production being recording artist and actual record label programmer. sed might be a one time venture working completely solo , but one thing can be already said: its one to remember. 4 tracks right of his recent fabric compilation plus 3 new bonus tracks. each recording stands uniquely on its own but also works yet again in a subtle context with all other tracks. an artistic statement as well as pure dancefloor mayhem! one of the strongest packages that we received in a long time

detroit electro sound in analogue production style by dip shim.

2021 repress , another blaze historic production in collaboration with a new york underground legend, cassio ware.

six unique house and nu disco explorations on the first deeptape records compilation.

reissue - k-hand, the undisputed -first lady- of detroit house and techno, continues her series of rereleases for some of acacia records most sought after catalog. acacia s reputation as music from a well known place to an unknown destination precedes it with a reach that is once again being expanded upon. originally making its mark in 1993, -not giving up- is a piano chord led number with eccentric disco era falsetto vocals interspersed between a house diva counterpart, all undercut by equally classic rough around the edges low end - touching on hand s influences from the new york golden days. the plastic dream mix is a more sinister springboard of sounds with an urgent energy sure to rip through speaker stacks and leave audiences in shreds. easily its dreamiest incarnation, the disco dream adaptation lends itself to bouncier, filtered grooves and vocal dubs. the ghetto growl of -beat that bitch wit a stick- was and still remains a huge track for k-hand and the label. pulling from a sound that originated in chicago, it became equally prominent in detroit through the work of hand and others. its accompanied here by an instrumental version for those that don t share in the street logic, but nonetheless love the gritty production style. finally, the legendary claude young s mix of - deep down 2- sees him implementing wavering chords and loopy vocals with a purposefully loose nyc stutter

adeen records is back with it s follow up to alton millers more positive things with chez damier s parisian outfit french connection. this chinese only import five song ep features remixes from nicholas, chezs panarama bar club banger remix, and beijing, chinas production team camille. the b-side features queen of the elephants remixed by jeff k, and a scorching edit of it ain t right guaranteed to set the dancefloor ablaze.

coloured vinyl - a collection of cosmic children’s songs on double vinyl, launched and landed by sofa.

”topics” is a new album by ljudverket co-founder tuomo väänänen. it explores the styles of dub and dub techno on six tracks, which range from droning soundscapes to more rhythmic affairs which could even work on a dance floor. true to label’s ethos, the production is understated and pays attention to fine details.

nose job returns with this killer compilation, who s who of local leftfield movers. outsider par excellence compilation w/ pm production, aidons antoine, fyoelk, different fountains, nobuo & actapulgite, vdr, liquid puma, bear bones lay low, rick shiver, the revolving eyes, antoine 80, reymour.

limited repress blue vinyl some twenty years after rene costys passing, his work, finally, goes global. moreover, this being a selection out of more than 400 tracks from a virtuoso, versatile andinsatiable artist, its hard to underestimate the importance of this compilation, which focuses on costys library music production from the 70s

repress - pursuing their explorations in the vast corridors of international funk and disco music, favorite recordings and bruno patchworks hovart present us voilaaa. with this first single composed of 2 tracks that clearly reveal the afro-disco inspiration of this new experience, favorite also expands its new series of disco 12inch singles recently launched with several fine reissues, but this time with one of its special homemade production recipe. under the imprint of the label and after their long years of collaboration in the achievement of projects such as the dynamics, mr president, mr day, patchworks galactic project, or taggy matcher, the insatiable french producer therefore returns to his first love and specialty, disco music, staring this time at the african and caribbean influences. indeed, as everywhere in the 70s and 80s, funk and disco movements were extremely influential in these regions, and in most cases, the combination of the festive, yet sometime futile nature of disco, and the instinctive, deep, sometimes rough nature of african music, sounds like a perfect balance. aiming to find back this energy and specific sound, patchworks quickly began producing a few tracks, using his unique and ruling beats and bass lines as foundations, this time he dresses all with guitars, keyboards and brass distorted with vintage and diy effects pedals and boxes. with a very dynamic music scene around him in lyon, where there is no shortage of artists with african origins, he decided to surround himself with singers from the region, even if it means to accompany them on unusual musical paths. a more than successful bet with a result surprising of authenticity, as it’s unveiled by these first two titles alongside sir jean and pat kalla, both from a musical background as rich than different. with an album planned for the end of the year, that promises to be as explosive and magnetic, patchworks and favorite recordings make a strike again and confirm them a little more if needed, as the true warrant of the modern dancefloors loyalty, to the spirit of their mythical ancestors

as his label marks its 60th release, lost & found owner guy j returns with his brand new ep. guys modus operandi performs superbly with themes which would otherwise risk sounding aimless and decadent. his range is thrilling, thoughtfully arranged even in the thickest of textures, never heartless, blunt or unbalanced. both in his harmonious and production statements, guy j leaves nothing indisputable. each frequency is analyzed. each note adjusted.

julio cruz follows up his first solo ep on the label with this 4-tracker dipping into some gritty electronic sounds. after the production of the record has been delayed by almost exactly one year, we are more then happy to finally share this beauty with you.

the production and dj sets from metabomen aka krause duo is constructed for the most part as a free-spirited bunch with a special twist. it doesnt matter whether the material is with a jazz catalog, a frizzy sound, a dragging house or a techno press. an inimitable signature is not only clearly identified, no, but for the listeners of krause duo the good ol 10-second preview doesnt need three guesses. the answer from every contestant in the studio booth comes as if shot out from a cannon, so distinct is that krause formulation. from depth and nevertheless a clubby art with stay-fresh ideas. here, reliable doesnt mean stagnant. for the (up to now) 34th release from musikkrause, ian simmonds is comfortably on hand for both sides of the vinyl disc in the studio. out comes two monumentally deep waltzes full of raunchy charm and a knee-deep appreciation for jazz. the impact of both tracks is so spiritual that to speak of dance music is not the issue at hand, but rather something of a ghostly slam to the body. if you listen closely enough you can hear the diligent work of your own being. by means of the poetically-painted tones of simmonds and the clutter, which despite the many tonal designs and devices in this >authoritive-techno<, it has no fore-bearer. you can also tell the form of the work undertaken by the joint venture krause/simmonds isnt complete by a long shot even though in this manifestation there is nothing left to add. the distribution of dynamics appears to be so well-coordinated that there is simply the thrill of savoring such thoughtful club music

after being operating for the past few years under the name alva, with debut releases on pont neuf, chez damier s sub-label inner balance or on dansu discs, the parisian duo calmos & berzingue has decided to get back to the roots of a more percussive and mental deep house universe. with their new ep belleville, they pay tribute to those years which saw them immerse themselves in the production of their first tracks, in the famous parisian district.

la compil is an annual production contest organised by the french label nymphony records. every year, at the end of the contest, the label selects 5 house tracks and 5 techno tracks to release a compilation that is distributed everywhere in france.

la compil is an annual production contest organised by the french label nymphony records. every year, at the end of the contest, the label selects 5 house tracks and 5 techno tracks to release a compilation that is distributed everywhere in france.

the new bitflash dj-tote is a compact and stylish companion bag designed for everyday life and beyond. it includes a removable laptop and accessory panel which easily transforms the bitflash dj-tote from a casual shopping tote to a professional laptop and gig-bag. the pvc-reinforced accessory panel provides perfect protection for laptops up to 15-, dj-accessories or smaller production gear. additional accessories such as headphones, sound card, vinyl, cables etc. can be perfectly organized in each separate pocket of the accessory panel. smaller items and personal belongings can be stored safely inside the built-in internal zip-pockets of the dj-tote. outer dimensions: (h/b/t): 44 x 33 x 12 cm, inner dimensions: : 41 x 32 x 11 cm, weight: 0.85 k

ltd 2021 repress - back in the early 90s dave coker, justin bailey and laurant webb set up a music production studio a stones throw away from the famous cutty sark in greenwich, along with dave deptford pine as one the founders of the aforementioned studio. they called themselves strangeweather, worked on different dance music styles and formed the fabulously awesome, but slightly ill fated band wubble u. around the same time justin struck up a friendship with nathan coles, a then madly enthusiastic young dj who was starting to make a name for himself on the thriving underground house scene. nathan introduced justin to terry francis and the rest of the crew and collectively the formed housey doings. they released two records on the bush subsidiary imprint green grass and as if by magic tech house was officially born. fast forward a couple of years and the boys replaced the s with a ‘z and struck out on their own. this is a re-release of the first record on the label they named after the now legendary club night wiggle. two sides of proper, uk style tech house - a sound thats been copied, plagiarized and endlessly imitated. but never bettered

the new lodemann ep brings us a high quality production as usual.

the “vince montana tribute” (louie vega and rick wilhite from detroit rework) is a heartfelt and masterful production in which 2021 grammy award nominee louie demonstrates his appreciation for the disco sounds that he grew up on in the iconic borough of bronx, nyc. the inspiration came about through an edit rick sent to louie. louie added some of his own editing touches, and the resulting track got big response whenever louie played it at his headlining sets. given louie’s longtime love and respect for vince montana, he decided to create an even bigger musical project. bringing in elements of life band members gene perez (bass), axel tosca (fender rhodes) and luisito quintero (congas), and then adding a piano line himself, louie was able to bring out the most authentic disco elements of this superlative groove but rework them so they are exactly in the pocket for today’s dancefloors worldwide.

third collaborative album from norwegian production duo lindstrom & prins thomas.

re-release! 2x12 inch + dl , gute luft is the result of months of work scoring the hit german tv film 24h berlin - the longest documentary film in history which featured 80 camera teams following the lives of berliners over a 24 hour period. obviously a huge challenge for fehlmann, beyond the scope of the project and hours of music involved in a 24 hour film, there was dealing with the decision making process that went with working with such a large production team. as he shared scoring duties with another musician (separately), inevitably a lot of his music ended up not making the final cut. gute luft is about re-tweaking and editing material from the countless hours of recording he had created. in a sense, gute luft is fehlmanns ideal soundtrack to the 24h berlin documentary.

the debut album by frankie goes to hollywood was released in 1984 after the runaway success of the singles relax and two tribes. it had orders of over a million copies and went straight in at number one in the uk album chart. produced by trevor horn, it was seen as a ground-breaking release and helped define pop music production in the eighties.

gaudi follows up his critically acclaimed album 100 years of theremin (the dub chapter) with a cover of lee perry s classic bird in hand production.

ant to be had proved his skill time and time again with a run of straight up excellence on knitebreed records. he has also slowly and surely walked towards the darker, and more jungle techno oriented sound. on the cinematography ep, he embraces that sound in full, with driving bass and deep atmospherics, all perfectly blended with his trademark crystal clean production and above all, dancefloor destroying beats….

wilfy d returns for another solo release on the vitamin d imprint. after the success of his debut release vitd001 wilfy d returns to showcase a different side to his production. as usual expect no nonsense vocal driven uk garage cuts, this time on a strong club ready housey tip. this release leans more to the 4 to the floor sound with a slinky smooth 2 step belter on the b. essential cop!

repress - al dobson jr. returns to rhythm section international with his debut full length lp. spread over 28 tracks and clocking in at just under one hour, this body of work provides a glimpse into the mind of one of the uks most talented, enigmatic producers. al dobsons debut mini album marked the inauguration of bradley zeros fledgling label back in 2014, proving to be a breath of fresh air to the london scene with its loose, undefinable sound and unique approach to production. as a newcomer, al dobson jr.s music didnt remain a secret for long, with major global tastemakers such as gilles peterson, theo parrish, dego, alex nut and osunlade being early adopters. as with other key releases on 22a and izwid, it didnt take long for rye lane volume 1 to go from obscure debut to cult classic, propelling the artist and the label onto the international platform. at once a continuation and evolution of the sound, rye lane volumes ii & iii offers a deeper exploration into the al dobson jr universe, moving with ease through tempos and textures but never losing that effortless magic that makes adj stand out from the crowd.